{"id":2426,"date":"2026-01-19T20:48:55","date_gmt":"2026-01-19T20:48:55","guid":{"rendered":"https:\/\/oraexacta.net\/blog\/?p=2426"},"modified":"2026-01-19T20:48:57","modified_gmt":"2026-01-19T20:48:57","slug":"iubire-prefacuta-in-cant-concert-al-sopranei-cristina-fieraru-in-bucuresti-la-sala-dalles","status":"publish","type":"post","link":"https:\/\/oraexacta.net\/blog\/2026\/01\/19\/iubire-prefacuta-in-cant-concert-al-sopranei-cristina-fieraru-in-bucuresti-la-sala-dalles\/","title":{"rendered":"Iubire pref\u0103cut\u0103 \u00een c\u00e2nt. Concert al sopranei Cristina Fieraru, \u00een Bucure\u0219ti, la Sala Dalles"},"content":{"rendered":"\n<p>Pe 30 ianuarie 2026, Sala Dalles din Bucure\u0219ti g\u0103zduie\u0219te un eveniment aparte: senza\u021bionala sopran\u0103 Cristina Fieraru d\u0103 glas pe scen\u0103 iubirii \u00een toate formele ei, \u00eentr-un concert excep\u021bional, intitulat sugestiv \u201cPe l\u00e2ng\u0103 plopii f\u0103r\u0103 so\u021b\u201d. Acompaniat\u0103 de carismaticul Maxim Belciug, cu chitara sa c\u00e2t o orchestr\u0103, soprana va oferi publicului o sear\u0103 de emo\u021bie \u0219i sensibilitate, de dor, de pasiune \u0219i de via\u021b\u0103, prezent\u00e2nd un program rafinat, care \u00eembin\u0103 tandre\u021bea roman\u021belor cu bog\u0103\u021bia expresiv\u0103 a ariilor de oper\u0103 \u0219i aerul solar al can\u021bonetelor napolitane.<\/p>\n\n\n\n<p>\u00centre toate artele, muzica este privilegiat\u0103: \u00een timp ce pictura, sculptura, literatura \u0219tiu s\u0103 exprime idei \u0219i fapte, muzica tr\u0103ie\u0219te pe un singur t\u0103r\u00e2m: acela al sentimentelor. Iar pe acest t\u0103r\u00e2m, iubirea este sentimentul de c\u0103p\u0103t\u00e2i. Nu e de mirare, a\u0219adar, c\u0103 dragostea este, poate, cea mai rodnic\u0103 surs\u0103 de inspira\u021bie a muzicii. A\u0219a se \u00eent\u00e2mpl\u0103 \u0219i \u00een concertul de vineri, 30 ianuarie, al c\u0103rui program toarn\u0103 iubirea \u00een c\u00e2nt, prinz\u00e2nd \u00een \u021bes\u0103tura sa irizant\u0103 pe Handel \u0219i Guilelm \u0218orban \u0219i \u00eempletind Vaga Luna cu &#8216;O sole mio, \u00eenainte de a se ostoi, cu alean, \u00eentr-o plimbare pe l\u00e2ng\u0103 plopii f\u0103r\u0103 so\u021b.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cristina Fieraru &amp; Maxim Belciug - Pe l\u00e2ng\u0103 plopii f\u0103r\u0103 so\u021b (Guilelm \u0218orban \/ Mihai Eminescu)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/oR0GGkZgKqU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Apari\u021bie fermec\u0103toare \u0219i magnetic\u0103, soprana Cristina Fieraru este una dintre cele mai str\u0103lucitoare tinere stele de pe scena liric\u0103 de la noi. Prin timbrul s\u0103u luminos, tehnica diamantin\u0103 \u0219i expresivitatea scenic\u0103, soprana transform\u0103 fiecare apari\u021bie \u00eentr-o experien\u021b\u0103 inefabil\u0103, capabil\u0103 s\u0103 surprind\u0103 \u0219i s\u0103 emo\u021bioneze. Cristina Fieraru a absolvit Facultatea de Interpretare Muzical\u0103 a Universit\u0103\u0163ii Na\u0163ionale de Muzic\u0103 Bucure\u015fti, sec\u0163ia Stilistic\u0103 Interpretativ\u0103 \u2013 Canto, unde a studiat cu soprana Iulia Isaev \u015fi mezzosoprana Cristina Soreanu. Pe l\u00e2ng\u0103 studiile universitare, a avut \u0219ansa de a lucra cu personalit\u0103\u0163i de renume interna\u0163ional precum Ruxandra Donose, Ramon Vargas, Leontina V\u0103duva, Mariana Nicolesco, Florin Estefan, \u00eembog\u0103\u021bindu-\u0219i tehnica interpretativ\u0103. Este o prezen\u0163\u0103 constant\u0103 a scenei lirice, fiind invitat\u0103 \u00eenc\u0103 de la v\u00e2rsta de 18 ani la Opera Na\u0163ional\u0103 Bucure\u015fti, unde a debutat, \u00een 2018 \u00een rolul Pamina, din opera Die Zauberfl\u00f6te de Wolfgang Amadeus Mozart. Alte roluri interpretate: Erste Dame din aceea\u0219i Die Zauberfl\u00f6te de Wolfgang Amadeus Mozart, Alice Ford din opera Falstaff de Giuseppe Verdi, Mim\u00ec \u015fi Musetta din opera La Boh\u00e8me de Giacomo Puccini, Contessa d\u2019Almaviva din opera Le nozze di Figaro de Wolfgang Amadeus Mozart, Dido din opera Dido and \u00c6neas de Henry Purcell \u0219i Ileana din opera La \u015eez\u0103toare de Tiberiu Brediceanu. Colaboreaz\u0103 frecvent cu Opera Comic\u0103 pentru Copii, iar din 2021 este membr\u0103 a Corului de camer\u0103 Preludiu \u2013 Voicu En\u0103chescu. A participat ca solist invitat la numeroase concerte \u0219i festivaluri, la Opera Na\u0163ional\u0103 Bucure\u015fti, Ateneul Rom\u00e2n, Catedrala Sf. Iosif, Filarmonicile din Bra\u0219ov, Craiova, Arad, R\u00e2mnicu V\u00e2lcea, Pite\u0219ti, Sibiu \u0219i nu numai.<\/p>\n\n\n\n<p>Maxim Belciug este un nume binecunoscut. Artist clasic \u00een formarea sa, este chitaristul \u00cenc\u00e2nt\u0103rilor, cel care se \u00eenc\u0103p\u0103\u0163\u00e2neaz\u0103 s\u0103 cread\u0103 c\u0103 frumuse\u0163ea va m\u00e2ntui totu\u0219i lumea. De mai bine de 3 decenii, c\u00e2nt\u0103 neobosit, \u00een \u021bar\u0103 \u0219i \u00een str\u0103in\u0103tate, ca solist sau \u00een diverse formule camerale, \u00eencerc\u00e2nd mereu s\u0103 \u00eemprieteneasc\u0103 publicul cu chitara clasic\u0103 \u0219i cu muzica ce poate fi \u00eemp\u0103rt\u0103\u0219it\u0103 cu acest minunat instrument.<\/p>\n\n\n\n<p>Cristina Fieraru \u0219i Maxim Belciug au debutat \u00een duo \u00een 2024, propun\u00e2ndu-\u0219i s\u0103 ofere publicului prilejul unor \u00eent\u00e2lniri cu frumuse\u021bea \u0219i diversitatea repertoriului liric \u00eentr-o prezentare adaptat\u0103 la o scen\u0103 de teatru, unde intimitatea dintre arti\u0219ti \u0219i public permite o altfel de apropiere \u2013 mai direct\u0103, mai sincer\u0103, mai vie \u2013 de aceast\u0103 muzic\u0103 nepieritoare. Recitalurile lor se bucur\u0103 de un extraordinar succes la public, at\u00e2t \u00een Bucure\u0219ti, c\u00e2t \u0219i \u00een \u021bar\u0103, pe scenele filarmonicilor \u0219i ale festivalurilor unde sunt invita\u021bi. Prin tot ce fac, cei doi exploreaz\u0103 posibilit\u0103\u021bile expresive ale perechii voce \u2013 chitar\u0103 \u00een contextul diversit\u0103\u021bii repertoriale, c\u0103ut\u00e2nd mereu emo\u021bia, frumosul \u0219i muzica pur\u0103, dezbr\u0103cat\u0103 de regie, de constructe, de imagine, de artificii.<\/p>\n\n\n\n<p>Adresat tuturor celor care \u00eenc\u0103 mai cred \u00een iubirea adev\u0103rat\u0103, concertul \u201cPe l\u00e2ng\u0103 plopii f\u0103r\u0103 so\u021b\u201d din data de 30 ianuarie 2026 \u00eencepe la ora 19:00 \u0219i are loc la Sala Dalles din Bucure\u0219ti (Bd. Nicolae B\u0103lcescu 18). Biletele sunt disponibile pe ticketstore.ro \u0219i iabilet.ro.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pe 30 ianuarie 2026, Sala Dalles din Bucure\u0219ti g\u0103zduie\u0219te un eveniment aparte: senza\u021bionala sopran\u0103 Cristina Fieraru d\u0103 glas pe scen\u0103 iubirii \u00een toate formele ei, \u00eentr-un concert excep\u021bional, intitulat sugestiv \u201cPe l\u00e2ng\u0103 plopii f\u0103r\u0103 so\u021b\u201d. Acompaniat\u0103 de carismaticul Maxim Belciug, cu chitara sa c\u00e2t o orchestr\u0103, soprana va oferi publicului [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2427,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2,5],"tags":[],"_links":{"self":[{"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/posts\/2426"}],"collection":[{"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/comments?post=2426"}],"version-history":[{"count":1,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/posts\/2426\/revisions"}],"predecessor-version":[{"id":2428,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/posts\/2426\/revisions\/2428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/media\/2427"}],"wp:attachment":[{"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/media?parent=2426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/categories?post=2426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oraexacta.net\/blog\/wp-json\/wp\/v2\/tags?post=2426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}